Chinese Poetry in Times of Mind, Mayhem and Moneytxt,chm,pdf,epub,mobi下载 作者:Maghiel van Crevel 出版社: Brill 出版年: 2008-12-30 页数: 518 定价: USD 174.00 装帧: Hardcover 丛书: Sinica Leidensia ISBN: 9789004163829 内容简介 · · · · · ·Chinese Poetry in Times of Mind, Mayhem and Money is a groundbreaking contribution to scholarship, well-suited to classroom use in that it combines rigorous analysis with a lively style. Covering the period from the 1980s to the present, it is organized around the notions of text, context and metatext, meaning poetry, its socio-political and cultural surroundings, and critical ... 作者简介 · · · · · ·Maghiel van Crevel (Ph.D. in Chinese literature: Leiden, 1996) lectured at the University of Sydney (1996-1999) and is currently Professor of Chinese Language & Literature at Leiden University. His publications include Language Shattered: Contemporary Chinese Poetry and Duoduo (CNWS, 1996). 目录 · · · · · ·CONTENTSPreface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ix Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xi Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiii List of Illustrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvii Chapter One · · · · · ·() CONTENTS Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ix Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xi Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiii List of Illustrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvii Chapter One Avant-Garde Poetry from China: Text, Context and Metatext 1 1. What Went Before . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2. The Unofficial Poetry Scene and the Avant-Garde . . . . 5 3. Context: Times of Mind, Mayhem and Money . . . . . . . 13 4. Text: From Elevated to Earthly and from What to How 23 5. Metatext: Images of Poetry and Poethood . . . . . . . . . . . 30 6. The Case Studies, and What This Book Wants to Do 50 Chapter Two True Disbelief: Han Dong . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 1. The Rejection of Obscure Poetry . . . . . . . . . . . . . . . . . 65 2. An Original Poetics . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Chapter Three Thanatography and the Poetic Voice: Haizi . . . . . . . . . . . . . 91 1. Thanatography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 2. The Poetic Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 Chapter Four Exile: Yang Lian, Wang Jiaxin and Bei Dao . . . . . . . . . . . . . 137 1. Poets in Exile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 2. Exile in Poetry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 Chapter Five Mind over Matter, Matter over Mind: Xi Chuan . . . . . . . . 187 1. Spirituality versus Materialism and the Barbarians . . . 189 2. A Different Voice: Poetry Rising, Poets Falling . . . . . . 194 3. Words Capturing Images, Images Capturing Words . . . 215 Chapter Six Fringe Poetry, But Not Prose: Xi Chuan and Yu Jian . . . . . 223 1. A Wonderful Inadequacy of Definitions . . . . . . . . . . . . 225 2. «Salute» and «File 0»: Poetry or Prose? . . . . . . . . . . . . 229 3. Fringe Poetry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244 Chapter Seven Objectification and the Long-Short Line: Yu Jian . . . . . . . . 247 1. Objectification and Subjectification . . . . . . . . . . . . . . . . 252 2. Long Lines and Blanks . . . . . . . . . . . . . . . . . . . . . . . . . . 274 Chapter Eight Narrative Rhythm, Sound and Sense: Sun Wenbo . . . . . . . . 281 1. Content Bias . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284 2. «The Program»: Content and Plot . . . . . . . . . . . . . . . . 288 3. «The Program»: Form . . . . . . . . . . . . . . . . . . . . . . . . . . 294 4. Narrativity and Its Context . . . . . . . . . . . . . . . . . . . . . . 301 Chapter Nine The Lower Body: Yin Lichuan and Shen Haobo . . . . . . . . . 305 1. Lower Body Poetry . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 2. A Poetic Lineage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338 Chapter Ten Not at Face Value: Xi Chuan’s Explicit Poetics . . . . . . . . . . 345 1. Explanations, Issues and Alchemy . . . . . . . . . . . . . . . . . 347 2. A Bigger Picture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360 Chapter Eleven Desecrations? Han Dong’s and Yu Jian’s Explicit Poetics . . . 365 1. Poethood According to Han Dong and Yu Jian . . . . . . 366 2. Metatextual Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392 Chapter Twelve What Was All the Fuss About? The Popular-Intellectual Polemic 399 1. What Were the Issues? . . . . . . . . . . . . . . . . . . . . . . . . . . 400 2. What Was at Stake? . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441 Appendix: A Chronological Bibliography . . . . . . . . . . . . . . 451 Chapter Thirteen More Than Writing, As We Speak: Yan Jun . . . . . . . . . . . . 459 1. Three-Dimensional Performance . . . . . . . . . . . . . . . . . 461 2. Writing, Event Culture and Poetry Opening Up . . . . . 471 Works Cited . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475 Index and Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505 · · · · · · () |
内容的话,谈到了很多方面
非常经典的著作
这本书我在大学时看过一遍
“无论在任何时代,都有身份的问题,人类永远不可能平等。”